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Dance Luminary Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I Don't Feel Protective About My Body'

Within the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is naturally upright, his limbs muscular beneath a simple white T-shirt. On stage, dancers can appear as mighty deities, yet often offstage they are petite. Not so Ball, whose tall stature is one reason for his demand for princely characters and pas de deux work. Possessing delicate traits and piercing eyes, there's a touch of Robert Pattinson about him.

A Seamless Ascent to the Pinnacle

At 31, Ball is enjoying the peak of a career that has progressed seamlessly. Growing up in Liverpool, he encountered little teasing for his early interest in ballet. Entering the Royal Ballet School at 11, he moved directly into the company and was advanced each year, attaining the top rank of principal in 2018. He has relished tackling substantial dramatic roles, particularly the emotional turmoil found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming starring role is as himself, in an "Evening With" series designed to offer intimate perspectives into a performer's art. He will guide the crowd through a role, showing his mental process during performance. Even in more comedic works, the test is significant. "A classic ballet is one of the toughest from a skill perspective," he notes.

The Psychological Struggle and After the Show Emotions

What about following a show, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get immersed in the character, frequently I do feel embarrassed later. Following Mayerling I'm always like: God, what must people think?"

In person, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a dance maker once remarked on a "kind of suffering in him." Is there? "I'm quite energetic in general, but I do have a melancholy streak," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."

Formative Drivers and Creative Inspirations

Ball's determination stemmed from youthful experiences. Not excelling in contests at school made him "driven!" It was fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

The next challenge is making his own dance works. In his view, "there's nothing wrong with." "Breaking the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing inspiration from books, compositions, and art.

Close-Up Dance and Personal Partnership

He additionally is interested in staging dance in smaller venues. "It was just really thrilling," he says of a previous show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They are not usually paired on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite supporter."

On Social Media and Physical Perception

On social media, followers can see clips from his dance films and images that highlight a sculpted form. Does he care that the response can be somewhat focused on appearance? Not really. "The body is just what we work with, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—something that can be seen on multiple ways.

Ball describes his younger self as "desperate for success." Did it lived up to his hopes? "I feel very aware of how reality is a separate thing to the dreams you made as a child," he reflects. He likely has about decade of dancing left. "I suppose in the future, I want to be a bit more kind with myself."

AU
By

Angela Underwood MD

A tech enthusiast and digital strategist with over a decade of experience in IT consulting and innovation management.

MegacoreMax UK

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